{"id":6567,"date":"2015-06-02T13:04:06","date_gmt":"2015-06-02T11:04:06","guid":{"rendered":"http:\/\/www.festivaldebiarritz.com\/?page_id=6567"},"modified":"2019-02-07T14:07:04","modified_gmt":"2019-02-07T13:07:04","slug":"focus-equateur-2","status":"publish","type":"page","link":"https:\/\/www.festivaldebiarritz.com\/es\/edition-2015\/focus-equateur-2\/","title":{"rendered":"Pa\u00eds invitado: Ecuador"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-es\">Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en <a href=\"https:\/\/www.festivaldebiarritz.com\/fr\/wp-json\/wp\/v2\/pages\/6567\" class=\"qtranxs-available-language-link qtranxs-available-language-link-fr\" title=\"Fran\u00e7ais\">Fran\u00e7ais<\/a>.<\/p><p><\/p>\n<p style=\"text-align: justify;\"><strong>FOCUS CIN\u00c9MA \u00c9QUATORIEN<\/strong><\/p>\n<p style=\"text-align: justify;\">En collaboration avec le Consejo Nacional de Cinematograf\u00eda del Ecuador (CnCine), le festival d\u00e9voile les premiers films pr\u00e9sent\u00e9s dans le cadre du focus \u00c9quateur.<\/p>\n<p>Si l\u2019on ne conna\u00eet pas le cin\u00e9ma \u00e9quatorien, c\u2019est tout simplement parce qu\u2019il a \u00e9t\u00e9 inexistant pendant longtemps. Le premier film sonore ne remonte qu\u2019\u00e0 1950 et il ne se produisait, encore dans les ann\u00e9es 80-90, qu\u2019un film tous les cinq ans. Ce n\u2019est qu\u2019en 2006 qu\u2019une loi de cin\u00e9ma a \u00e9t\u00e9 vot\u00e9e et a permis d\u2019insuffler une certaine r\u00e9gularit\u00e9 \u00e0 la production. Ainsi, on comptait 20 films produits pour la seule ann\u00e9e 2014. Il n\u2019existe cependant pas encore \u00e0 proprement parler de producteurs ni de distributeurs, chaque r\u00e9alisateur devant inventer un syst\u00e8me de production et de distribution propre \u00e0 chaque film. Au contraire de l\u2019Argentine, du Chili ou de la Colombie, l\u2019Equateur ne peut se rassembler autour d\u2019un grand drame national f\u00e9d\u00e9rateur (dictature militaire, conflit paramilitaire, trafic de drogue) et le pays t\u00e9moigne au contraire d\u2019une grande disparit\u00e9 linguistique (16 langues y sont reconnues et parl\u00e9es). Cette diversit\u00e9, depuis cette ann\u00e9e, est appel\u00e9e \u00e0 \u00eatre repr\u00e9sent\u00e9e par l\u2019existence d\u2019un fond d\u2019aides sp\u00e9cialement destin\u00e9 aux films des communaut\u00e9s indig\u00e8nes. En dehors de la production \u00ab\u00a0courante\u00a0\u00bb, s\u2019est d\u00e9velopp\u00e9e toute une production marginale (appel\u00e9e \u00ab\u00a0Cine bajo tierra\u00a0\u00bb) qui g\u00e9n\u00e8re une \u00e9conomie parall\u00e8le puisque ces films rencontrent un tr\u00e8s grand succ\u00e8s en DVD -ph\u00e9nom\u00e8ne dont rend compte avec humour le documentaire <em>M\u00e1s all\u00e1 del Mall<\/em> (Miguel Alvear, 2010). Face \u00e0 une telle diversit\u00e9 (il faudrait d\u2019ailleurs parler <em>des<\/em> cin\u00e9mas d\u2019Equateur), il est bien difficile de d\u00e9gager une unit\u00e9 stylistique ou th\u00e9matique. S\u2019il y a un th\u00e8me que l\u2019on reconnait, de film en film, ce serait justement cette diversit\u00e9 des composantes du pays et la difficult\u00e9 de se reconna\u00eetre pour chacune comme faisant partie d\u2019un grand corps unifi\u00e9 et national (voire, pour le pays, de son int\u00e9gration \u00e0 l&#8217;\u00e9chelle du continent latino-am\u00e9ricain telle que la d\u00e9crit le documentaire <em>La muerte de Jaime Rold\u00f3s <\/em>de Lisandra Rivera et Manolo Sarmiento, 2013). A tous les niveaux de la soci\u00e9t\u00e9 r\u00e8gne un sentiment d&#8217;exclusion\u00a0: solitude de la vieillesse dans <em>Silencio en la tierra de los sue\u00f1os <\/em>de Tito Molina (2013), mise au ban de l&#8217;homosexualit\u00e9 dans <em>Feriado <\/em>de Diego Araujo (2014), isolement au sein d&#8217;un groupe d&#8217;amies dans <em>Esas no son penas<\/em>, fracture historique d&#8217;une famille dans <em>Abuelos <\/em>de Carla Valencia (2010), regard distanci\u00e9 de l&#8217;exil\u00e9 dans <em>El lugar donde se juntan los polos <\/em>de Juan Mart\u00edn Cueva (2002) ou encore dans <em>El secreto de la luz<\/em> de Rafael Barriga (2014). Quand ce n&#8217;est pas jusqu&#8217;\u00e0 la vie elle-m\u00eame qui est appr\u00e9hend\u00e9e depuis la mort, comme dans <em>Cuando me toque a m\u00ed<\/em>. Tous ces films sont pr\u00e9sent\u00e9s au festival de Biarritz Am\u00e9rique Latine\u00a0; ils sont comme les pi\u00e8ces d&#8217;un puzzle qu&#8217;il faut imbriquer les unes aux autres pour faire appara\u00eetre l\u2019image de l&#8217;\u00c9quateur et une id\u00e9e de son cin\u00e9ma.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">*<\/span><\/p>\n<p style=\"text-align: justify;\">Nicolas Azalbert<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">*<\/span><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7097\" src=\"http:\/\/www.festivaldebiarritz.com\/wp-content\/uploads\/2013\/01\/logocncine.png\" alt=\"logoCncine\" width=\"162\" height=\"109\" \/><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais. FOCUS CIN\u00c9MA \u00c9QUATORIEN En collaboration avec le Consejo Nacional de Cinematograf\u00eda [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":15636,"menu_order":59,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6567","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pa\u00eds invitado: Ecuador - Festival de Biarritz Am\u00e9rica Latina<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.festivaldebiarritz.com\/es\/edition-2015\/focus-equateur-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pa\u00eds invitado: Ecuador - Festival de Biarritz Am\u00e9rica Latina\" \/>\n<meta property=\"og:description\" content=\"Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais. 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