{"id":50235,"date":"2025-10-16T10:00:08","date_gmt":"2025-10-16T08:00:08","guid":{"rendered":"https:\/\/www.festivaldebiarritz.com\/?p=50235"},"modified":"2025-10-17T15:09:32","modified_gmt":"2025-10-17T13:09:32","slug":"ce-processus-la-transforme-comme-il-ma-transformee-trois-questions-a-clarisa-navas-realisatrice-de-el-principe-de-nanawa","status":"publish","type":"post","link":"https:\/\/www.festivaldebiarritz.com\/es\/actualites\/ce-processus-la-transforme-comme-il-ma-transformee-trois-questions-a-clarisa-navas-realisatrice-de-el-principe-de-nanawa\/","title":{"rendered":"\u00ab Ce processus l\u2019a transform\u00e9, comme il m\u2019a transform\u00e9e \u00bb, trois questions \u00e0 Clarisa Navas, r\u00e9alisatrice de El Principe de Nanawa"},"content":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais<\/a>.<\/p>

<\/p>\n

La r\u00e9alisatrice Clarisa Navas, pr\u00e9sente au festival en 2017, est \u00e0 nouveau s\u00e9lectionn\u00e9e pour son nouveau documentaire, <\/span>El Pr\u00edncipe de Nanawa<\/span><\/em><\/a>.<\/span><\/h2>\n

Pourquoi avez-vous choisi de terminer le film au bout de 10 ans ? Qu\u2019est-ce que cela repr\u00e9sente pour vous ?<\/span><\/strong><\/h3>\n

C. N. :<\/span><\/strong> Cela a \u00e9t\u00e9 un processus complexe, o\u00f9 la vie d\u2019\u00c1ngel a \u00e9t\u00e9 enti\u00e8rement li\u00e9e au cin\u00e9ma, \u00e0 l\u2019enregistrement, au film. Parfois, il est n\u00e9cessaire de prendre de la distance, de faire une coupure. C\u2019\u00e9tait, \u00e0 mes yeux, le moment juste pour marquer un arr\u00eat. Cette d\u00e9cision marque aussi un passage vers une nouvelle \u00e9tape, celle de l\u2019entr\u00e9e dans la vie adulte pour \u00c1ngel. Cela ne signifie pas qu\u2019on arr\u00eate compl\u00e8tement de filmer. Nous restons li\u00e9s \u00e0 l\u2019enregistrement, on continue \u00e0 se partager des vid\u00e9os mais le film, lui, se termine ici. Apr\u00e8s tout le chemin parcouru, il est difficile de mesurer l\u2019impact qu\u2019a eu ce travail. Je trouve une forme de satisfaction dans le fait d\u2019avoir su prendre un chemin incertain, d\u2019avoir accept\u00e9 l\u2019impr\u00e9vu \u00e0 de nombreux niveaux, dans un processus qui n\u2019avait aucune ligne claire, aucun cap pr\u00e9cis. Nous avons maintenu <\/span>pendant dix ans un engagement commun : celui de faire quelque chose ensemble, de ne jamais se l\u00e2cher la main, m\u00eame dans les moments tr\u00e8s difficiles. Ce processus et ce film m\u2019inspirent une foi profonde dans l\u2019affection, dans l\u2019amiti\u00e9, dans l\u2019id\u00e9e que, m\u00eame quand tout est dur autour, si on est accompagn\u00e9, si on se tient la main, alors la vie est possible.\u00a0<\/span><\/p>\n

En quoi le parcours d\u2019\u00c1ngel fait-il \u00e9cho \u00e0 d\u2019autres r\u00e9alit\u00e9s ?<\/span><\/strong><\/p>\n

C. N. : <\/span><\/strong>\u00c1ngel est quelqu\u2019un de tr\u00e8s singulier, mais son parcours r\u00e9sonne avec celui de beaucoup d\u2019autres jeunes dans sa r\u00e9gion et dans le nord de l\u2019Argentine. Il traverse des r\u00e9alit\u00e9s que beaucoup partagent, avec les m\u00eames obstacles, les m\u00eames r\u00eaves, les m\u00eames espoirs. En ce sens, son parcours est repr\u00e9sentatif, mais ce qui le rend unique, c\u2019est sa mani\u00e8re de ressentir, ses r\u00eaves, sa fa\u00e7on d\u2019habiter le monde, de le comprendre. Le film lui a offert un espace rare : celui de la parole. Dans un contexte o\u00f9 sa voix n\u2019\u00e9tait pas vraiment entendue, il a pu affirmer sa vision du monde. \u00c1ngel, comme beaucoup de jeunes, porte en lui des espoirs, des d\u00e9sirs de changement.<\/span><\/p>\n

Pourquoi as-tu choisi d\u2019intervenir dans le film, en rompant avec la distance traditionnelle que prend un cin\u00e9aste documentaire ? Comment cela a-t-il \u00e9t\u00e9 re\u00e7u ?<\/span><\/strong><\/p>\n

C. N. :<\/span><\/strong> Je ne voulais pas r\u00e9aliser un film sur \u00c1ngel, mais un film avec lui. Le cin\u00e9ma qui m\u2019int\u00e9resse est celui de la rencontre, de la complicit\u00e9, pas celui de l\u2019observation distante. D\u00e8s le d\u00e9but, \u00c1ngel est invit\u00e9 \u00e0 cr\u00e9er avec moi, \u00e0 cr\u00e9er sa propre image, son propre r\u00e9cit, et il s\u2019approprie compl\u00e8tement cet exercice de narration. Le fait de pouvoir raconter, c\u2019est pouvoir agir sur le r\u00e9el, le transformer : c\u2019est un acte politique fort. On devient actif dans <\/span>la construction des discours, dans notre rapport au monde. Sinon, il s\u2019agirait juste d\u2019observer, de rester \u00e0 distance, et cette fa\u00e7on de cr\u00e9er ne me repr\u00e9sente pas. Je pense d\u2019ailleurs qu\u2019il est impossible de ne pas intervenir, dans le sens o\u00f9 on ne peut pas vraiment rester neutre. Chaque rencontre nous transforme. Et puis, dans cette r\u00e9gion o\u00f9 j\u2019ai grandi, la possibilit\u00e9 d\u2019imaginer, de cr\u00e9er, reste tr\u00e8s souvent r\u00e9serv\u00e9e \u00e0 certaines classes sociales. Il est selon moi fondamental d\u2019ouvrir ces espaces \u00e0 tous. C\u2019est l\u00e0 ma fonction politique dans le cin\u00e9ma : permettre de cr\u00e9er, d\u2019imaginer une autre r\u00e9alit\u00e9, ensemble. Le film a \u00e9t\u00e9 re\u00e7u avec beaucoup de chaleur, autant en Argentine qu\u2019au Paraguay. \u00c0 chaque projection, on sent une v\u00e9ritable connexion avec les spectateurs, une \u00e9motion sinc\u00e8re. Ils nous transmettent leur affection, leur attachement profond au film et c\u2019est tr\u00e8s touchant.<\/span><\/p>\n

Question bonus: Quelle image avez-vous de Biarritz?<\/span><\/strong><\/p>\n

C. N. :<\/span><\/strong> Ce festival a une signification toute particuli\u00e8re pour moi. J\u2019ai un lien fort, tr\u00e8s affectueux avec Biarritz, car c\u2019est le tout premier endroit o\u00f9 j\u2019ai voyag\u00e9 en Europe, lorsque j\u2019ai \u00e9t\u00e9 invit\u00e9e en 2017 pour <\/span>Hoy partido a las tres<\/span>. Ce moment a \u00e9t\u00e9 tr\u00e8s fort, tr\u00e8s beau pour moi. C\u2019est \u00e0 Biarritz que j\u2019ai rencontr\u00e9 Eugenia Campos Guevara, qui est devenue la productrice de mon film actuel. Nous nous sommes crois\u00e9es \u00e0 l\u2019h\u00f4tel, je lui ai racont\u00e9 mon processus de cr\u00e9ation et quelques ann\u00e9es plus tard, elle a rejoint le projet.<\/span><\/p>\n

Propos recueillis par Manon Audi\u00e8vre<\/span><\/p>\n

IMDb<\/a><\/p>\n

\"Clarisa

Clarisa Navas festival biarritz am\u00e9rique latine 2025<\/p><\/div>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais. La r\u00e9alisatrice Clarisa Navas, pr\u00e9sente au festival en 2017, est \u00e0 […]<\/p>\n","protected":false},"author":4,"featured_media":50236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[281],"tags":[],"class_list":["post-50235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"acf":[],"yoast_head":"\n\u00ab Ce processus l\u2019a transform\u00e9, comme il m\u2019a transform\u00e9e \u00bb, trois questions \u00e0 Clarisa Navas, r\u00e9alisatrice de El Principe de Nanawa - Festival de Biarritz Am\u00e9rica Latina<\/title>\n<meta name=\"description\" content=\"La r\u00e9alisatrice Clarisa Navas revient sur le processus complexe de son film El Principe de Nanawa, pr\u00e9sent\u00e9 au FBAL\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.festivaldebiarritz.com\/es\/actualites\/ce-processus-la-transforme-comme-il-ma-transformee-trois-questions-a-clarisa-navas-realisatrice-de-el-principe-de-nanawa\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Ce processus l\u2019a transform\u00e9, comme il m\u2019a transform\u00e9e \u00bb, trois questions \u00e0 Clarisa Navas, r\u00e9alisatrice de El Principe de Nanawa - 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