{"id":50254,"date":"2025-10-30T10:00:52","date_gmt":"2025-10-30T09:00:52","guid":{"rendered":"https:\/\/www.festivaldebiarritz.com\/?p=50254"},"modified":"2025-11-06T16:57:50","modified_gmt":"2025-11-06T15:57:50","slug":"jury","status":"publish","type":"post","link":"https:\/\/www.festivaldebiarritz.com\/es\/actualites\/jury\/","title":{"rendered":"\u00ab Dans un jury de professionnels, on ne se fie pas qu’\u00e0 l’\u00e9motion, on juge aussi tout l\u2019aspect cin\u00e9matographique \u00bb, entretien avec Thibault de Montalembert"},"content":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais<\/a>.<\/p>

<\/p>\n

Vous avez aim\u00e9\u00a0La Quotidienne<\/em>, notre journal du festival ? Retrouvez toutes les interviews en exclusivit\u00e9. Thibault de Montalembert, pr\u00e9sident du jury fiction<\/a> du FBAL<\/span>, nous d\u00e9voile les secrets de leurs d\u00e9lib\u00e9rations.<\/span><\/h2>\n

Comment s\u2019est pass\u00e9e la semaine pour vous ? Les <\/span>d\u00e9lib\u00e9rations se sont faites avec vos partenaires <\/span>Claire Burger, Chad Chenouga et Juan Solanas, <\/span>regardez-vous les films ensemble ? \u00c9changez-vous durant toute la semaine sur vos impressions ? <\/span><\/h3>\n

T.d.M. :<\/strong> Dans l\u2019id\u00e9al on regarde les films ensemble mais ce n\u2019\u00e9tait pas toujours possible car Claire Burger est arriv\u00e9e plus tard. En g\u00e9n\u00e9ral, on regardait deux films par jour tous les quatre. On essayait de ne pas en parler au d\u00e9but de la semaine pour ne pas s\u2019influencer. Le paysage se dessine au fur et \u00e0 mesure des films. On juge une oeuvre, qui elle-m\u00eame prend place dans un festival donc chaque film trouve sa place par rapport aux autres, il ne faut pas trop vite se prononcer. On a pris le temps de se conna\u00eetre avant d\u2019\u00e9changer \u00e0 partir de mercredi. Avec trois r\u00e9alisateurs et un acteur, le jury \u00e9tait tr\u00e8s \u00e9quilibr\u00e9.<\/span><\/p>\n

\"jury

Le jury fiction du FBAL 2025 \u00e9tait compos\u00e9 de Thibault de Montalembert, son pr\u00e9sident, de Juan Solanas, Claire Burger et Chad Chenouga.<\/p><\/div>\n

\u00c7a a \u00e9t\u00e9 difficile de d\u00e9partager les dix films ? Y\u2019a-t-il eu de gros d\u00e9bats, des d\u00e9saccords entre vous quatre ? Pourquoi le prix du public est souvent diff\u00e9rent des prix du jury ? <\/span><\/h3>\n

T.d.M. :<\/strong> Il n\u2019y a pas eu de d\u00e9bat, on \u00e9tait assez d\u2019accord dans l\u2019ensemble. \u00c7a n\u2019a dur\u00e9 qu\u2019une heure trente. Nous en avons s\u00e9lectionn\u00e9 cinq assez facilement pour seulement quatre prix. On a d\u00fb en \u00e9carter un sur lequel il y a eu des discussions. Apr\u00e8s il a fallu les attribuer \u00e0 la bonne cat\u00e9gorie. Beaucoup de jurys s\u2019attachent \u00e0 la politique, nous on a vraiment mis l\u2019humain au coeur de nos d\u00e9cisions. <\/span>La hija c\u00f3ndor <\/span><\/a>nous est apparu plus singulier, avec une mise en sc\u00e8ne exceptionnelle des r\u00e9unions, des villageois, cette rupture entre le monde ancien et actuel est tr\u00e8s subtilement faite. Ce film est un po\u00e8me visuel. Nous avons attribu\u00e9 le Prix du jury \u00e0 <\/span>Bajo el mismo sol <\/span><\/a>pour l\u2019aventure, son histoire et sa photographie magnifique. On a attribu\u00e9 le coup de coeur \u00e0 <\/span>A Melhor M\u00e3e do Mundo<\/span><\/a> pour la force et le courage qu\u2019il d\u00e9gage. Comme son nom l\u2019indique, on a tous eu un vrai coup de coeur pour ce film. Pour le prix d\u2019interpr\u00e9tation, on a vraiment h\u00e9sit\u00e9 entre deux. Ubeimar Rios de <\/span>Un poeta <\/span><\/a>l\u2019a<\/span> emport\u00e9<\/span> car le fait que ce ne soit pas un acteur professionnel nous a vraiment touch\u00e9s : son physique, son expression, tout. Deux films m\u2019ont beaucoup secou\u00e9s, <\/span>Bel\u00e9n<\/span><\/a> et<\/span> A\u00fan es de noche en Caracas<\/a>,<\/span> mais ils ne sont pas rest\u00e9s car dans un jury de professionnels, on ne juge pas que l\u2019impression que le film nous a fait, on juge aussi tout l\u2019aspect cin\u00e9matographique. Le public,<\/span> lui, se fie plus \u00e0 l\u2019\u00e9motion puisqu\u2019il re\u00e7oit le film en \u00e9tant compl\u00e8tement vierge quant \u00e0 la pr\u00e9paration technique.<\/span><\/p>\n

Sud Ouest : Le Palmar\u00e8s des films r\u00e9compens\u00e9s<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Fran\u00e7ais. Vous avez aim\u00e9\u00a0La Quotidienne, notre journal du festival ? Retrouvez toutes […]<\/p>\n","protected":false},"author":4,"featured_media":50257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[281],"tags":[],"class_list":["post-50254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"acf":[],"yoast_head":"\n\u00ab Dans un jury de professionnels, on ne se fie pas qu'\u00e0 l'\u00e9motion, on juge aussi tout l\u2019aspect cin\u00e9matographique \u00bb, entretien avec Thibault de Montalembert - Festival de Biarritz Am\u00e9rica Latina<\/title>\n<meta name=\"description\" content=\"Le pr\u00e9sident du jury fiction du festival biarritz am\u00e9rique latine, Thibault de Montalembert, raconte les coulisses du palmar\u00e8s 2025\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.festivaldebiarritz.com\/es\/actualites\/jury\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Dans un jury de professionnels, on ne se fie pas qu'\u00e0 l'\u00e9motion, on juge aussi tout l\u2019aspect cin\u00e9matographique \u00bb, entretien avec Thibault de Montalembert - 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